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FREE music and movies at the Mural!KEXP Summer Concert Series AND Movies @ The Mural Ampitheatre, Seattle Centerfree, local, all ages, outside, perfectFriday, July 31st @ 5pm: DJ El Toro, Blitzen Trapper & Throw Me A StatueMore infophoto by Rakka on flickrSeattle Center's Movies at the Mural presents The Princess Bride on the big screen + a short film from NFFTY (the National Film Festival for Talented Youth)Saturday, August 1st @ 9pmMore infoThere arefreeconcerts and movies happening every weekend in August at the Mural. Here's the whole lineup:KEXP Summer Concerts at the MuralFriday, July 31st 5-8 pm: DJ El Toro, Blitzen Trapper & Throw Me a StatueFriday, August 7th 5-8 pm: DJ Chilly, Dyme Def & Fresh EspressoSaturday, August 8th 2-9 pm: 7th Annual KEXP BBQ! DJ John Richards, Dinosaur Jr, Viva Voce, Cymbals Eat Guitars, Japandroids, Born Anchors & Champagne ChampagneFriday, August 14th 5-8 pm: DJ Troy Nelson, The Dodos & Army NavyFriday, August 21st 5-8 pm: DJ Hannah Levin, Fruit Bats, The Moondoggies & Johnny and the MoonSEATTLE CENTER'S Movies at the MuralSaturday, August 1st: The Princess BrideSaturday, August 15th: GreaseSaturday, August 22nd: Iron ManFriday, August 28th: Kung Fu PandaSaturday, August 29th: Mamma Mia!All movies start at 9pm

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Something’s Happening in the Basement

Review of Past Curfew at Young Americans' Theatre Company by Spencer T.Unbeknownst to me, and perhaps 99% of Seattle’s population, on Market Street in Ballard - just a block away from the Majestic Bay - lies a subterranean theatre called Live Girls! Marked by a pink banner outside the entrance during shows, this unassuming venue is a cozy and comfortable place to see some of Seattle theatre off the beaten track.Past Curfew, an amalgamation of four approximately 20 minute one-act plays presented by the Young Americans' Theatre Company (a troop self-described on their brochure as “provid[ing] opportunities for young artists to be involved with theatre”), is, as a collection, somewhat uneven but features strong performances all around.Thomas Moore and Zoey Belyea in Rosie in the Shadow of the MelroseStarting off is “Incognito”, an amusing portrayal of a girl (Emma Kelley, worrisomely convincing as an obsessive stalker), and her friend (Tommy Fleming, utilizing excellent comic timing) who aim to be more than just friends. Then, in “A Whole House Full of Babies”, Alberta Bleck and her acting partner Leigh Huggins give fantastic and emotionally believable performances as two teenagers dealing with the aftermath of an unplanned pregnancy, but the play felt like an odd choice for the collection.“Dissonance” has an intriguing premise and starts out very funny and strong as the story of odd-couple pair Robert (Karl Divoky) and Frederick (Tallis Moore), a devout Christian and an equally adamant Atheist hiding together in a church during what appears to be the final hours of the United States. The acting was very good, and for the first half contains an immersing script, but then begins to drag, and eventually takes a dark and not entirely convincing turn that left me feeling unsatisfied.The Young AmericansThat said, perfectly culminating the show is “Rosie in the Shadow of the Melrose”, a hilarious, sweet, and ultimately very touching one-act that takes place on a train platform in New Jersey. Frances, played by Zoey Belyea, is an incessantly talking girl from Philly, severely lacking any sense of propriety or boundaries, who begins spilling the most intimate details of her life to a quiet and apprehensive stranger. That stranger, Thomas Moore, spends the first half of the play doing an excellent job of being silent while looking handsome and uncomfortable as Frances continues to pry. But then, when he too begins to speak, Moore shows himself to be a very adept actor as well. Alas, he is ultimately overshadowed by Belyea, whose portrayal of Frances is one of the funniest things I’ve seen in a very long time, however, together they create a nearly flawless piece with the perfect balance of emotional resonance and humor that the other plays reached for but never quite achieved. Overall, Past Curfew was a great way to see some young and talented local actors in action.Spencer T.July 23rd, 2009Past Curfew is closed, but YATC's next show, Burn opens July 30th! More info here

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Ah yes, well, true. Link is the official name. But…

Ah yes, well, true. Link is the official name. But branding like that so rarely sticks (BART for Bay Area Rapid Transit being a notable exception). New Yorkers don't call their subway MTA NYC Transit Subway, they just say "the train", Boston's elevated Orange Line was always referred to as "the el" (and I think that nickname is still used, even though it's now underground). Have you ever EVER referred to the area between 3rd Ave and the downtown waterfront "The West Edge"? 'Cause that's it's official(ly lame) name. So, maybe Link will stick, maybe not...we'll see.

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Ok first off, I tweet. So maybe there aren’t t…

Ok first off, I tweet. So maybe there aren't that many people who follow me on Twitter, but it do have followers. It's mostly my friends and family, and they all appreciate the effort I give to update my Twitter.Also, there are a few different uses of Twitter. I'd say a fair chunk of teens who Tweet use it mostly to chat with their buddies who also use Twitter (or just for the sake of saying they have a Twitter account.) There's also the people who don't tweet, but follow famous people who have Twitter accounts. And lastly there are the people who tweet. All of those people, whether they tweet or not, make up the growing twitter community.

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I don’t have any real suggestion, but I do thi…

I don't have any real suggestion, but I do think it should probably be some kind of three or four letter acronym. For example, in SanFran it's BART. In Portland it's MAX.Let's see..SAX? Seattle Area Express. Like a saxophone.SART? Seattle Area Rapid Transit. Like that French philosopher, Sartre.I don't care much for either of those. We've got to come up with something more original.

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That mid-day train to Tukwila

Photo by Surrealize on flickr.They said it would never happen. But they were wrong (as they so often are). Light Rail is officially here. At the moment you can only go from Tukwila to Westlake Center, but it's a start. We're excited about anything that makes it easier for people to get into town and see shows. Are you excited about Light Rail? Will you ride it? Don't you think it needs a cooler name than Light Rail? Suggestions for new names in the comments, please.

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in the news

Check out John Levesque's great piece of about Teen Tix in the online P-I!"Program manager Holly Arsenault calls it 'nurturing a whole community of arts-going teens.'Delaney Merrick, 17, calls it 'amazing.'Merrick will be a senior this fall at Holy Names Academy, and while she has always loved art she never thought she might be interested in a career in the arts. Until her mom discovered Teen Tix.Merrick has become a regular reviewer on the Teen Tix Blog , expanding her horizons with commentary ranging from Pericles at Seattle Shakespeare Company to The Big Friendly Giant at Seattle Children's Theatre.'Teen Tix definitely gives you more opportunities to do things out in the community,' said Merrick. 'It's more cultural than just going to see Batman at the Cineplex.'"Special thanks to Delaney and Ashraf. And thanks to all of you for being a part of Teen Tix. We like you like you.

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Poisonous Truth

A review of Othello at INTIMAN by Anna B.Othello is, by far, the most harsh of Shakespeare’s works I have seen. The play itself is a horrific slasher, a ghastly tragedy played out in agonizingly slow motion through scene after scene of malignancy, vitriol, and madness.Thus, if you’re looking for a pleasant diversionary evening, stay away. You may leave the theater unable to breathe, choked with hopelessness and filled with despair. Othello, especially as performed by Intiman, is not for the faint of heart. But for those who dare venture into the theater, Othello reveals true portrayals of human nature found in few other plays, offering characters so true to life you yourself want to enter the story, alter the course of events with a few words. Shakespeare presents the power of jealousy, the wretchedness of betrayed trust, and the beauty of sacrifice, all within the few short hours of Othello.To briefly sketch the storyline, Othello, a moor, has married the beautiful Desdemona against her father’s will. Othello’s trusted servant Iago, however, plots to ruin their happiness out of pure malice. He slowly poisons Othello’s mind, making him believe his lieutenant, Michael Cassio, and Desdemona are sneaking around together behind is back. In a climax fraught with symbolism, Iago brings Othello’s and Desdemona’s story to a tragic close through his Machiavellian workings. Iago is the most despicable character ever (and if you see this play, you will agree that statement is not an exaggeration). Like the Joker, he mostly just wants to watch the world burn, taking down Othello merely because Othello is there. Strangely enough, throughout the whole play Iago is constantly referred to as “Honest Iago”, a testament to Othello’s innocent perception of him. He betrays Othello’s trust spectacularly, all without giving away his true nature to the poor man. In the guise of help, he destroys Othello’s world. The power of Othello’s trust in his “honest Iago” is emphasized over and over again. Iago also is constantly reassuring people that he “loves” them. Not to be cliché, but actions speak far louder than words as Iago stabs these people in the back, uses them for no other reason than that he wants their life ruined, and destroys them from the inside out. Again, the very concept of love is brought to question in this emphasis on the word “love.” The play itself, as well as Intiman’s production, has a few interestingly emphasized words/concepts: honest, love, sweet, witchcraft, truth. But the spaces left in the play make their mark as well. The pause before Iago tells of the “lovers,” the breath before Othello moves from principles to pure, outright jealousy, the silence between Desdemona and her maid as the maid brushes her lady’s hair for the last time.Othello may be a poisonous play. But it is a play where true human nature comes to life, where the concepts of honesty and trust are thrown around and mixed up, and where you have an urgent need to jump out of your seat and put to rights this whole mess by giving a character or two a good shaking. It’s Shakespeare, and in the hands of Intiman Theater Othello has a great deal of power. Anna B.July 8th, 2009OthelloINTIMAN TheatreThrough August 9th

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do you tweet?

Matthew Robson says you think twitter is stupid

So, Morgan Stanley issued a report today by a 15 year-old intern named Matthew Robson that is gettingsomuchplay. Matthew claims that teens don't use twitter because it uses up texting credit and seems pointless because no one is following their tweets. He also says that teens find popup advertising "annoying and pointless". Um...who doesn't? Matthew's take is interesting, and the ensuing discussion even more so, but I'm left wondering three things:1. Since when does one person's subjective opinion count as a study?2. Am I the only one who feels like the tone of some of these articles (especially the Bloomberg one) feels like an episode of Animal Planet? ("Here we see the elusive Teenasaurus emitting a flurry of high-pitched mating texts")3. Do you tweet? Why or Why not? Vote in the poll!

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we go way back

Since everyone is clamoring this week to point out how much they loved local indie-movie goddess Alycia Delmore (see the spine of this week's Stranger) WAY back when (now that she has catapulted to instant stardom with the success of Seattle filmmaker Lynn Shelton's Sundance hit Humpday) we thought we would draw your attention to this interview that we did with her in October, 2007. Not to toot our own horns or anything, but that was, like, TWO years ago. Anyway, Humpday opens this weekend at the Harvard Exit, and, if they manage to pack the houses this weekend, it could mean a wider distribution deal (so that people in, say, Arkansas, could get to know and love our little Alycia). So, if you are 18 or 19 (sorry youngsters - Humpday is rated R) go check it out. This is not a Teen Tix thing, it's just a support-your-local-film-community thing. GO ALYCIA!

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SOMEbody get the pickle!

A review of Pressue Cooker by Delaney M.I watched the NFF film Pressure Cooker which was produced in 2008 and takes place in Philadelphia. Pressure Cooker is directed by Mark Becker and Jennifer Grausman and features students from Frankford High School.Pressure Cooker is a documentary that tells the story of three seniors in a poor neighborhood in Northeastern Philadelphia, that struggle to rise against their familial and personal situations to compete for scholarships through their culinary class. Erica is a peppy cheerleader who misses out on a lot of life experiences because she has to take care of her 15 year old sister, who is physically handicapped and blind. Dudley is a football player who lives with a single mom who struggles to keep them in a home. Fatoumata is a recent immigrant from Africa whose dad controls every aspect of her life. All three students are enrolled in a culinary arts class at their high school, which allows them at the end of the year to compete for college scholarships ranging from a few thousand dollars to a full ride, which could be upwards of sixty thousand dollars. The culinary teacher Mrs. Stephenson is a hard teacher to please, she is the terror of every student caught out of line or in the halls when they aren’t supposed to be, but with her culinary students they are her family, she buys them dress shirts, sets them up with dates for prom, and provides encouragement as they battle through the scholarship competition.Pressure Cooker is seamlessly produced and allows you to follow the students from the culinary classroom, to other classes, to football or cheerleading practice, and even back home to see their families and their poverty. The film balances the three different students’ perspectives, as well as that of Mrs. Stephenson, very well. By the end of the film I felt connected to all of the students and the presentation of scholarships was one of the most nervous moments of my life, I was sitting glued to the T.V. hoping that Erica, Dudley, and Fatoumata would get exactly what they wanted. Pressure Cooker is a truly inspiring film that teaches teenagers that nothing is out of your reach no matter how impossible or difficult it may seem. I would recommend this film to anyone 13+. There is nothing in it that would stop little kids from watching it, but really in order to understand its meaning you should at least be in high school, or have gone through it already. - Delaney M.July 5th, 2009Pressure Cooker @ Northwest Film ForumJuly 10th - 16thWatch the trailer:

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today in arts news

Czar Kumar: President Obama appoints 32 year-old actor Kal Penn as the nation's new "Arts Czar". Penn, who is best known for his role in the "Harold & Kumar" movie franchise, will serve as the Associate Director of the White House Office of Engagement.

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Conjuring Gods

Review of Holst's The Planets and Kernis' Symphony of Meditations at Seattle Symphony by Tavis H.On a muggy Wednesday morning, in a spacious office hovering over 2nd avenue, Gerard Schwarz told me that “the great piece of Holst really is The Planets, and it is a masterpiece…a masterpiece of inventions, of ideas.” Forty-eight hours later, he showed me. Never before had I beheld the privilege of hearing The Planets live, and what a treat it was. The seven movements are based, astrologically, on the Gods of the planets, and are written in a manner so impeccable it would seem that Holst single-handedly crafted the foundation of the modern perception of the Gods of antiquity. It is a truly eclectic composition capable of manifesting, with great clarity, aspects of each God’s persona with brilliant originality. However, where the music is by leaps and bounds the cake of the performance, it is the interpretation, the tantalizing ganache, which makes the experience so unique and delectable. Although the totality of the symphony is a truly magical experience, watching Maestro Schwarz is always an unparalleled delight. His performance and command engages and captures, whisking away the listener on a physical journey of transcendence. By far the most enjoyable facet of Schwarz’s performance is his modesty. His style is never theatrically outrageous, like Karajan or Kleiber; however his is no forgettable performance. His sheer charisma carries the performance alone, and his emotion--always bridled, never unconvincingly frenzied--accents his Prussian control and sway with the tenderness of heart. Together with the meshing of the music and the touch of the artists, a personal grandeur was brought to each movement. Just as many Romans had a unique affinity or a personal meaning for a particular god, Seattle Symphony and Holst, too, conjure a charming individuality for each deity. The power and conviction of the piece comes to a point where one might believe that an acolyte or high priest from each of the Gods’ shrines or temples was assigned to write a piece of music to convince the world that their god was the greatest, and then when done, all the pieces were put into a musical anthology and named The Planets. The other portion of the evening was a premier of Aaron Jay Kernis’s Symphony No. 3, “Symphony of Meditations”, a piece as wondrous and soul-searching as the story behind its creation. In talking to Schwarz I learned of how the piece was originally scheduled to premiere last year. When Kernis was reading the texts that he used for inspiration (a modern translation, by Peter Cole, of an 11th century Sephardic poem by Solomon Ibn Gabirol’s) he realized its potential. “He was very taken by it and it became a larger piece than he originally anticipated” said Schwarz, regarding the fact that the piece was originally supposed to be about twenty minutes with a small chorus. “He’s the creative guy, he’s the genius…what am I going to say if you’re inspired to write something ‘don’t write it?’ So I said ‘sure, go for it’ and he did and he wrote a huge piece.” However Kernis’s symphony is not just a poem with music. It is also a tribute to his parents, who passed several years ago, and an exploration into his Jewish roots--a healing piece. “Symphony of Meditations” eventually transformed into a full choral piece about thirty minutes long that has maintained Kernis’s wonderful modern touches as well as classical influences. Kernis has courted many of the possible tools of the symphony, and, with ingenuity, has given us a spiritual journey spiced with elegant charm and transporting grandeur. And while his composition is distinctively modern and quite fresh with newer conventions, Kernis has also created a piece almost Germanic in magnitude, reminiscent of Mahler’s 8th “Symphony of a Thousand”, but also contemplative in its theologi-grandiose nature, much like Glass’s 5th symphony. Ultimately it is a distinctly unique and complimenting addition to the American repertoire. During the three movements, three soloists narrated the story, Robert Gardner (baritone), Hyunah Yu (soprano), and Paul Karaitis (tenor). Together they and the chorus took the audience through the power of despair, repentance, love, shame, and faith. Although the main body of the work was very engaging, the anti-climactic nature of the final movement was mildly disappointing. There was a grand crescendo halfway through, but then the audience was left in a state of anticipation neither being led to a sweet soft close nor a majestic ending. It seemed just to stop, leaving those I went with, and myself, to be rather confused by its sudden halt. Despite this mild disappointment, Kernis’s 3rd was epic in every sense. When listened to, a true tintinnabulation of melodic enormity bores into the heart and sheds an inquisitive light upon ones soul which, although is enlightening and beautiful, also, dares to challenge the axioms of woe, awe, sadness, joy, beauty, and spirituality. Regardless of ones religious background, the premise of the piece is universal, for what better to unite the minds of many than a gesture of truth and what it means to belong in this world. Tavis H.July 2nd, 2009This performance has already closed. For information on upcoming shows at Seattle Symphony visit seattlesymphony.org

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there’s a “teen” in 19

BIG NEWS: Teen Tix is now good for all teenagers ages 13 to 19. Rejoice!!!If you are a current (or formerly former) Teen Tix member and you need a new pass, please DO NOT re-register for Teen Tix. Just go here and fill out the lost pass form. We'll get your new pass in the mail to you right away.Happy day!Love,Teen Tix

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pick of the day

Youth Films in Ballard!National Film Festival for Talented Youth (NFFTY) NFFTY In Your Neighborhood! – Tuesday June 30NFFTY and Aster Coffee Lounge present short film screenings of films from NFFTY 2009! Check out films by the up & coming moviemakers of tomorrow. Wine tasting is also happening 4-8pm, short films will play every hour on the hour from 4-8pm. FREE, all ages. Aster Coffee Lounge5615 24th Ave NWSeattle, WA 98107Here's a video with highlights and interviews from NFFTY 2009:

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pick of the day

SUMMER!!!It's beautiful outside and you KNOW that's not going to last forever. Stop sitting in front of your computer and go enjoy some sunshine and art at the Olympic Sculpture Park. Go! P365 Day 14: The Eagle at Olympic Sculpture Park by Don L on flickr

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MJ Tribute @ Northwest Film Forum

This just in! We scored 15 tickets to the Michael Jackson tribute night at Northwest Film Forum July 7th. YOU MUST RSVP to teentix@seattle.gov to reserve a spot. Hardcore MJ fans HURRY! This show was just scheduled yesterday and it is already almost sold out!Here's the info:Tuesday, Jul 7th at 08:00PM (doors at 7:30)Northwest Film Forum hosts a special celebration of and fitting tribute to the great entertainer and popular music icon Michael Jackson who passed away on June 25th at the age of 50. His greatest music videos from the late-70s and 80s will be shown in the cinema (and cranked up loud). We’ll also show excerpts of a 1968 performance of the Jackson 5, his performance in the 1978 musical ‘The Wiz,’ the unavailable 1983 documentary “The Making Of Michael Jackson’s Thriller” and the 1983 TV performance that introduced the “moonwalk.” Refreshments will be available in the cinema, and all ages are welcome. Join us raising a glass to the one and only King of Pop, seeing Michael’s moves in action, and shaking a behind to the music that moved the world.First 15 people to respond get the tickets! The tickets, as always, will be $5.00 each. Woo hoo!

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