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The Young Critics Workshop2010 – 2011“…starting out a defiant know-it-all, I was transformed into a confident and unashamed inquirer. Despite AP and Honors English classes for four years at my high school, this has been the best writing course I’ve ever had the privilege of taking.”The Young Critics Workshop gives young writers the opportunity to explore arts journalism and criticism, meet and learn from professional critics and artists, and hone their critical writing skills in the company of peers. YCW is a challenging and rigorous writing course. Students learn:- How to look at art critically- How to articulate opinions persuasively- How to disagree civilly- How to craft writing that people will actually want to read- How to give and receive criticism constructively- How to find your voice as a writer (or at least how to start looking for it)And SO. MUCH. MORE.“Not only did this workshop improve my writing and my confidence in it, YCW led me to explore Seattle's rich culture; I saw plays and exhibits I never would have on my own.”The Young Critics Workshop is free of charge and open to all 11th & 12th graders. All classes are held at the Center House at Seattle Center. Classes are held weekly for four months. All classes are held from 5 – 7 p.m. on Thursdays. The 2010 – 2011 class schedule is as follows:Nov 4, 11, 18, one-week break | Dec 2, 9, 16, two week break | Jan 6, 13, 20, 27 | Feb 3, two-week break, Feb 24Students who are interested in applying for the Young Critics Workshop should complete and return the application. All applications must be postmarked by Friday October 15th in order to be considered. Applicants will be notified by October 22nd as to whether or not they have been accepted. The first class is November 4th.Mail applications to:Teen TixYoung Critics Workshop305 Harrison St.Seattle, WA 98107Or email electronic documents to: holly.arsenault@seattle.gov with “YCW Application” in the subject line.

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@Sophia Rose Good job relating one 17 year old mal…

@Sophia RoseGood job relating one 17 year old male kid's justification for reading Twilight to the national debt. Go ahead and generalize all of America, that works.Actually, it doesn't. It also makes you seem unintelligent and judgmental. Look into yourself: You have bad habits that we could somehow twist to some global scale. Before you point your fingers, be sure your hands are clean.

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Twilight Makes Me Roll My Eyes

#4 in our "Twilight Makes Me" series, by Callan C.Okay, I’ll admit that I sort of enjoyed the Twilight books. They were romantic, exciting, and I they sucked me in. But let me tell you – after I saw the first Twilight movie, I completely lost my respect for the franchise. The actors (sorry RPattz and KStew), the dialogue (“You better hold on tight, spider monkey”), and the “special effects” (i.e. Edward’s glitter-glue skin) were so ridiculous that I couldn’t help but laugh at it all. And all the Twilight merchandise they’ve come up with really doesn’t help. I mean, come on – Twilight lunch boxes? Twilight action figures? Twilight candy? Oh yeah, and how about those Twilight tours of Forks, WA? Or those Twilight-themed car commercials? You can’t go anywhere without seeing some form of Twilight advertising. In fact, I’m sort of insulted by it. Do companies really think that people are going to run out and buy a Volvo just because Edward has one? Okay, so maybe there are a few über-obsessed Twilight fans out there that totally eat this stuff up, but the truth is that most of us have a little more integrity and self-respect. I mean, I understand that people like the books – so do I. But there is such a thing as going overboard, and in my opinion, the Twilight phenomenon has done exactly that.Our Teen Press Corps will be telling us what Twilight makes them do all week long. Click here to read them all.Movies at the MuralSEATTLE CENTERSaturday, August 21st @ 9pm: TwilightSunday, August 22nd @ 9pm: The Twilight Saga: New MoonFree!

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Tucker, this is exactly the attitude I have toward…

Tucker, this is exactly the attitude I have toward Twilight, and your response is absolutely brilliant (and classic ) I have similar confessions to make as far as owning all the books, reading them 20 million times and anxiously awaiting the release of each new book. I enjoyed them when I was younger and as I got old enough to see just how fluffy they were, I still didn't care. Gimme the candy! What really makes me giggle however is messing with the Twilight pilgrims heading to Forks on the ferry...

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Twilight Makes Me Wish More Teenagers Had Less To Do

#3 in our "Twilight Makes Me" series, by Charlotte Z.Twilight makes me wish more teenagers had less to do. Our lives are teeming incessantly with school, sports, hobbies, friends…it’s the constant stress of our communication and interaction heavy generation. Our lives are busy; hard even, if I may be so self-pitying. I feel like Twilight has become such a sensation because, let’s face it, it’s easy. The idea is easy to follow, the writing is basic and the movies lack “deeper meaning” and “substance”. And please, don’t try to argue this. Just compare Twilight to any classical piece of literature or film at Cannes. But that’s exactly what I think is so appealing about the vampire craze. With so many distractions Twilight is a chance to turn off your mind for a little while, even if you do so subconsciously. But I urge Twilight addicts to spend less time on Facebook, watch fewer Youtube videos, spend less time texting and don’t spend all free time stressing about school and friends. That way, maybe next time you Team Edwards! feel like reading something or watching a movie, you might have extra willpower to focus on something a little more complex.Our Teen Press Corps will be telling us what Twilight makes them do all week long. Click here to read them all.Movies at the MuralSEATTLE CENTERSaturday, August 21st @ 9pm: TwilightSunday, August 22nd @ 9pm: The Twilight Saga: New MoonFree!

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If you’re attitude about indulging because &#3…

If you're attitude about indulging because 'what the heck, why not?' is common, it's no wonder this country is in debt up to our eyeballs and undergoing an obesity epidemic of gastronomical proportions.Why not swipe that credit card and live beyond one's means? What's buying one more thing I can't afford going to matter?Why not keeping eating Cheetos? Learning to control my impulses is overrated. And hard. Why bother? Did I mention it's hard?You should hold yourself to higher standards than this. Otherwise you're likely to develop a compulsive snacking habit. Not to mention a general lack of self-control.

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Twilight Makes Me Giggle

#2 in our "Twilight Makes Me" series, by Tucker Cholvin

I'm a 17 year old guy and I read every book. I am (only slightly) ashamed to say that I was at the midnight release party for Breaking Dawn at my local Barnes and Noble. I saw Eclipse at midnight. I own a Spanish translation of Twilight. And while this might usually qualify one as a crazy fangirl, I don't think of myself as one. For me, Twilight is like Cheetos. They're not filling, they're light and fluffy, and you can eat them pretty mindlessly. You also know deep in your mind that in the long run, it's probably bad for you to have them, but hey, what's another hand full, right? So when someone brings up Twilight, especially when it's a big, fat, angry argument for or against it, I just kind of laugh. Love it or hate it, Twilight is pretty ridiculous when you look at it. But really, it's just mental junk food, either way. And really, a little more can't hurt you, right? Right. Our Teen Press Corps will be telling us what Twilight makes them do all week long. Click here to read them all. Movies at the Mural SEATTLE CENTER Saturday, August 21st @ 9pm: Twilight Sunday, August 22nd @ 9pm: The Twilight Saga: New Moon Free!

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Teen End of Summer Bash @ Bellevue Arts Museum

Despite the depressing title, we strongly recommend that you check out Bellevue Arts Museum's End of Summer (sad face) Bash (happy face!) The evening includes a performance by Hip Hop Handbook, a collaborative mural project with local graffiti artists, a DJ in the forum, a screening of the local mockumentary Senior Prom directed by Mountlake Terrace senior Nicholas Terry, live music by FringeShift, and MUCH MORE. Watch the Senior Prom trailer:Bellevue Arts Museum's Teen End of Summer BashSaturday, August 14th4 - 8 PMFREE for people ages 14 - 18More info at bellevuearts.org

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I’d love to see more plays about the relations…

I'd love to see more plays about the relationship between teenagers and their parents, at least in part. Such plays are not only about us as teens, but help our parents understand more about us -- some good ones like this that I've seen include Fences by August Wilson and Shakespeare's Henry IV. Speaking of Shakespeare, I also wouldn't mind seeing some of his plays with the teenaged characters actually played by teenagers -- Romeo and Juliet, for example. I've seen many talented teen actors here in Seattle, and I think it would add an interesting dynamic.

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Twilight Makes Me Cringe

#1 in our "Twilight Makes Me" series, by Abbie B.I sat down in the dim movie theatre with a row of my girlfriends, eagerly anticipating the spectacle we were about to witness. We had devoured the books as quickly as our eyes could race across the pages, itching to discover the fate of Edward, Bella, and Jacob’s twisted love triangle. After months of discussion, weighing the merits of either love interest, trying to prove to ourselves that we were more alluring than that damsel-in-distress Bella, and convincing each other that maybe, just maybe, this world of ridiculously good-looking monsters did exist, just a couple hours up the highway. However, our expectations for this film series, which should have increased our rabid obsession, were tragically crushed with each cringe-worthy moment on screen. The weighty silences that last far too long to mean anything except “you make me feel truly uncomfortable, vampire/werewolf/human love interest,” the moments in which eye contact elevates to mind-reading/x-ray vision/lasers of death, and last, but certainly not least, Edward’s shimmering skin, reminiscent of my 2nd grade self-portrait after I smeared it with glitter-glue in a defiant moment of artistic rebellion. This sweeping tale of romance and danger, set in the lush Pacific Northwest, could have made for a spectacular film. That is, if it weren’t for the copious amounts of teen angst and awkwardness, each actor creating their own brand of uncomfortable, and each film angle a bit too close for comfort. Achieving the audience’s emotional attachment to characters in a film is an important and effective technique…except for when the audience feels more uncomfortable than they did at the first school dance, cringing in embarrassment for the characters.Our Teen Press Corps will be telling us what Twilight makes them do all week long. Click here to read them all.Movies at the MuralSEATTLE CENTERSaturday, August 21st @ 9pm: TwilightSunday, August 22nd @ 9pm: The Twilight Saga: New MoonFree!

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Teens-Only Night @ YATC

As promised, here are some photos from our Teens-Only Night with the Young Americans' Theatre Company @ Polaroid Stories. Thanks to everyone who came out. We had a blast. Hope you did, too. (And thank you, YATC, for supplying the cupcakes and the righteous theatre.) There are even more photos up on our flickr.These are the faces of teen angstMore pictures on flickr

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Why I haven’t voted in this week’s poll

I'm hesitant to declare my opinion (once one votes on an online poll, there's no going back, of course). I would adore seeing more theatre about teenagers... as long as it's good theatre, of course. I've seen a few productions about teenagers magnificently fail, and "Sitting through a night of bad theatre about teenagers" is on the list of things I don't care to do again. Theatre about teenagers can flop in a way that I've never experienced with theatre about adults. If it's uncomfortable to watch a poorly-executed production about adults, it's almost painful to watch a poorly-executed production about teenagers. Why, though? What's the difference between stories about adults and stories about teens that causes the difference in reaction?I think it is that most productions about teenagers have an adult cast. (Please bear with me as I overgeneralize and take on a tone that may suggest that I am no longer a teenager... I'm fighting it, I swear.) Teenagers are at a strange, strange place, and I believe that's difficult to recreate onstage, especially for people who have moved on from this place. I think we experience things in a way that's completely different from the way adults do. Things are newer. We feel things pretty intensely, and sometimes our emotions and reactions seem irrational. An adult can have a fundamentally different emotional response than a teenager will have to a given situation, which may create an extreme challenge for an adult actor. It's easier to approach theatre about teenagers like one would approach theatre about adults... but it's incorrect. Teenagers' different-from-adult experience makes theatre about teenagers different from theatre about adults.On the other hand, when done well, theatre about teenagers is a unique, meaningful, and (arguably most importantly) believable experience. Because of the weird place that teenagers are in, theatre about teenagers is interesting. It invents an entirely new space for art--one which is as earnest as our experience is. Am I writing in circles? I think so. My point is, Teenagers ≠ Adults ; therefore, Theatre about Teenagers ≠ Theatre about Adults. And that's a good thing.I'd love to see more theatre about teenagers... but I want it to be good.

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The Street Life of the American Teenager

Review of Young Americans' Theatre Company's Polaroid Stories by Emma MeHomeless individuals are a constant fixture on the streets of any major city. However, most of the homeless people seen are usually adults. Teenagers are rarely seen on bustling city streets, begging for money and food. This does not mean that they don’t exist.Polaroid Stories, the Young Americans' Theatre Company's newest play, weaves through the stories and interactions of a variety of homeless teenagers and examines their struggle to survive. My expectations were uncertain before seeing this show, for I had little knowledge and understanding of the mindset of this type of teen. The cozy basement theatre was an ideal setting, leaving the actors to get up close and personal with the audience. A simple set was provided in the background: a chain link fence littered with photographs and writings as symbols of hope, as well as a blank wall which would soon make its purpose become known.The lights dim until all that can be seen is a girl who says nothing. She simply holds out a remote and starts a slideshow projecting onto the blank wall. This occurs periodically throughout the show, depicting the homeless teens and their actions in a creative and revealing manner. I watched with curiosity as the slideshow ended and the teens appeared. Sometimes there would be a large group of them, arguing about their dreams to grow up to own the world. Sometimes there would be two of them, trying to maintain a faithful relationship in a life of distrust. Sometimes there would be only one, telling their story of how they came to be homeless in the first place.Nearly all of the scenes deal with anger, wishes, and forgetfulness. Shouting is common, especially at the companions who serve as reminders of what life has become. There are stories, recollections of events and people past. Having nothing left, many of the teens turn to drugs and alcohol to aid them in forgetting their situation. Swearing is constant, for the teens have no reason to censor themselves after all they have been through.I felt as though I had been dropped into the daily lives of the characters. The amazing and convincing actors help to convey the myriad of emotions that homeless teenagers deal with. With a clever and expressive script containing poetry, metaphor, and endless description, I got to experience what homeless teenagers are put through, and why they make the choices that they do. This show is interesting in that it spotlights how the homeless view others and utilizes the emotionally vulnerable perspectives of teenagers to describe it. By the time I walked out of the theatre to the busy streets above, I carried a message of how hard life can really be and a greater idea of some of the things that go on behind those streets.Polaroid StoriesYoung Americans' Theatre Company at Balagan TheatreThrough August 8NOTE: Recommended for people age 14 and up due to language and mature themes. No one under 14 will be admitted.SNAPSHOTS: Teens-Only Night With Young Americans' Theatre CompanyThursday, August 5thParty (with FREE food and photo-art-making!) at 7:00Show at 8:00$5 Teen Tix available NOW at brownpapertickets.com

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I would be most interested in plays with standard ...

I would be most interested in plays with standard adult topics that also feature strong young characters. I would not say no to a play just about teenagers and their lives, but my preference would be the inclusion of realistic and developed teenage roles in plays with other adults.

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What Theatre Should Be

A Not-So-Ruined Production of Hope, Humor, and Humilityby Nikolina SPart 1: "RUINED"Rarely does theater inspire us to do better, to be better, to feel, that, as adolescents we can make a difference in the world. I came into Ruined believing it to be a story of yet another African tragedy; I was precocious, however, in assuming that this would be the extent of it. The Congolese War is indeed an African tragedy, with hundreds of thousands of cases of repeated rapes and assaults on women, millions dead, and a large chunk of the population in refugee camps, the conflict is vicious and the fight for survival is severe. Ruined is not only able to shed light on the issue, enlightening audience goers of the horrors that young women must face on a daily basis in the Congo, but outstandingly enough, it is able to create the story with humor and humility. More importantly however, it is able to make what is happening in the Congo relevant to each and every one of us.Photo by Joan MarcusThe story introduces three young women, all different and unique in their own ways but all sharing a similar fate: prostitution to escape the war. Like many young girls, they enjoy rap music, singing, dancing and reading romantic novels. While Josephine and Salima oblige the requests of the many soldiers that come into Mama Nadi’s, the audience soon realizes where the title Ruined comes from. The third young woman, Sophie is a victim of a brutal and mutilating rape, all too common in the Congo, which in turn makes her unable to engage in sexual behavior. Despite Mama Nadi’s initial unwillingness to take Sophie in, screaming “I’m running a business, not a mission!” she eventually succumbs as a favor to her friend, Christian, and a box of Belgian chocolates. The crude language and disturbing scenes of rape and groping are balanced with comedic relief from Christian, the local trader and Mama Nadi’s friend.Photo by Chris BennionI found myself hating Mama Nadi for putting the girls up to prostitution while she sat behind the bar counter and greedily collected her money, emotionless as to what the girls were going though. We soon realize, however, that Mama Nadi is a very complex, multidimensional character. Although she makes the girls prostitute, she is in fact protecting them at the same time by providing them with a roof over their heads, food to eat and a refuge from the barbarous soldiers that repeatedly assaulted the girls in their former lives. In one of the most powerful moments of the play, Sophie, who limps as a result of the assaults, reveals “every step I take I feel them in me.” I didn’t find myself weeping crocodile tears, instead I was awed at the courage of these women who are not much older than myself. The fact that this young girl can still hold her head high and continue with her life is extremely inspiring because it shows that despite the horrible hardships faced by so many women, there is still hope for a better tomorrow. Perhaps the most entertaining aspect of the play was the odd love connection between the giddy Christian and the pessimistic Mama Nadi, who reveals her feelings on the subject: “love, it is a poisonous word.”Portia as Mama Nadi and Russell G. Jones as Christian. Photo by Chris Bennion.The transitions are carried out effortlessly by the music of Africa, the drumming of the cast and the beautiful voices of actors Condola Rashad (who plays Sophie) and Portia (Mama Nadi). I felt the audience mesmerized and captivated as much as myself by the incredible performance of the entire cast, particularly Portia. Portia’s portrayal of Mama Nadi invoked more fear in me than did the commander of the militia. The standing ovation from the audience at the end of the production was much deserved.Part 2: AFTER RUINEDPhoto by Susan Schulman. See more of Schulman's photos of the Congo at Congo Now!I had the opportunity to interview Zaki Abdelhamid, the Director of Education and Community Programs at Intiman Theatre, and Russell Jones, the actor who portrays Christian. When we weren’t joking around about Justin Beiber or expressing our fascination with the late Michael Jackson, we were able to talk about the seriousness of what Ruined represents and what people can do to help. Both men are clearly passionate not just about the production itself but about the importance of spreading the word about the atrocities that are currently happening in the Congo. Zaki told me about Intiman’s “International Cycle,” a series of productions over the next five years that are designed to bring awareness and inspire activism for global conflicts. Ruined is the first production in the series and already the reaction has been phenomenal. Zaki was especially happy to admit that Ruined, in terms of popularity and response, is in the top 3 of all productions ever put on at the Intiman. Zaki attributes Ruined’s success to people of Seattle, “they ask me ‘what can I do?’” Many of the raped women in the Congo have genital defects that are very expensive to cure. The Panzi Hospital, the one that Sophie wishes to go to, is a real hospital that specializes in reconstructive surgery. After every show, the cast has been accepting donations, two-thirds of which go directly to the hospital and a third of which go toward supporting Intiman’s International Cycle.TAKING ACTIONCONGO NOW! on FacebookIntiman's Run for Congo Women, October 16th, Green LakeThe Enough! Project with suggestions for practical steps you can take (like supporting "conflict-free" electronics)Panzi Hospital of Bukava - a mission to help survivors of sexual violence in the CongoWe then talked about what young people can do because I mentioned that when I saw the show, I noticed that there weren’t very many adolescents in the audience. While he did concede that, he also said that they “have seen an increase in young audiences” and are “working on bringing more young people” because its “not the lack of young people interested, we just have to reach them.”The Congo Now project is aimed specifically at young people to inspire “awareness and activism.” Congo Now has both a Twitter and Facebook page that young adults and teenagers can check out to find out more about the conflict in the Congo. Zaki also mentioned “active invitation” to Ruined as a great way for young people to become aware of the Congolese conflict, “one person tells ten of their friends who go to see the show and then they tell ten of their friends and so on”. Zaki wants young people to become “agents of change” because, he specifies, “these issues” (rape and assault) “are dealt with not just in Africa but everywhere.”Photo by Susan Schulman. See more of Schulman's photos of the Congo at Congo Now!When I asked Mr. Jones about what kind of message he thinks Ruined sends, without hesitation he said “hope is a necessary ingredient.” We continued to talk about theater in relation to a younger audience because this production does require a certain level of maturity and I asked him what he thought about that introducing mature content to a younger audience. “I want young people to broaden their global view because we’re all connected” Mr. Jones replied. Some ideas, like making theater more teen-friendly and affordable (Teen Tix!), came up during our discussion. In an age of constant media bombardment, Hollywood movies full of special effects, texting and internet, Mr Jones expressed “young people need to be exposed to theater.”Photo by Susan Schulman. See more of Schulman's photos of the Congo at Congo Now!Young or old, the opportunities to help women in the Congo and to help raise awareness about the atrocities in the Congolese War, which has claimed more lives than the Holocaust1 but which, unfortunately, most history teachers fail to address, are endless. It’s our turn to make a difference and help end the longest standing conflict in Africa. Helping can be as simple as becoming aware of conflict or as challenging as pressuring the media to cover the stories of these women so that more people will get involved in the movement. An easy first step you can all take is by watching Ruined and becoming more familiar with the notion of rape used as a weapon of violence in the Congo. I can promise that you will come out of Ruined not only extremely moved but inspired to join the movement for change in the Congo."You will not fight your battles on my body anymore" -SalimaRuinedIntiman TheatreThrough August 15NOTE: This is an extremely popular show. For your best chance of getting Teen Tix, we recommend attending Tuesday or Wednesday evening or Sunday afternoon. For all performances, we recommend calling ahead to check on ticket availability. Intiman's Ticket Office: 206.269.1900CONTENT NOTE: This show contains mature content and subject matter, including war, prostitution, and rape. It is recommended for audiences ages 16 and up.Watch the trailer:1. International Rescue Committee Congo Mortality Survey, 2007.

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Theatre about teenagers. Yes?

Our friends at the Seattle Repertory Theatre, under the leadership of new Artistic Director Jerry Manning, have launched the YES Initiative. Here's what they say about it:"The YES Project's primary purpose is to work with writers (especially young ones) to find and develop works for our stages that will resonate with young audience members."The theory, basically, is that if you put young protagonists on stage, young people will be more likely to come.Trick Danneker, Erin Stewart, and Justin Huertes play high school students in Seattle Rep's 2010 production of Speech & Debate. Photo by Kathryn Bernard.Oh, hey, guess what? YOU are the young people. YOU. You you you. You, Teen Tix member reading this. You are the target of this initiative. They want YOU. So, you, what do you think? A lot of you are avid theatre-goers, a lot of you are sometime theatre-goers. A lot of you like other art forms but avoid the theatre. Whatever category you fall into, we want to know: do you wish there were more stories about people your age in the theatre? Are you tired of trying to get excited about seeing middle-aged people's marriage problems on stage? What if the theatre that's supposed to be FOR you was also ABOUT you? Would it make a difference? Or does it not matter to you?This is your moment, young theatre-goers of Seattle. What do you want? Comment and take the poll (up at the top of the page!)

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2 for $10 Teen Tix for Ruined @ Intiman THIS Wednesday at 2:00

Everybody is talking about Ruined, Intiman's searing portrait of the lives of women in war-torn Congo. It won a Pulitzer, was a huge hit in New York, and is now here in Seattle with a mostly sold-out run that's already been extended due to popularity.Our reviewer, Nikolina says "Rarely does theater inspire us to do better, to be better, to feel, that, as adolescents we can make a difference in the world but more importantly that we can act on that inspiration...[Ruined] is able to create the story [of war] with humor and humility. More importantly however, it is able to make what is happening in the Congo relevant to each and every one of us."This is the kind of wildly popular show that would usually be difficult to get Teen Tix to, but Intiman wants you to get a chance to see it, so they are making us this special offer:2 for $10 Teen Tix for the 2 pm matinee THIS Wednesday, July 28th. That means you can get your $5 Teen Tix ticket AND bring a guest (of any age) for $5 too! All the usual rules apply: day-of-show only, and when they're gone, they're gone. But Intiman anticipates there will be plenty of space for this ONE show, so this is your chance! Don't blow it!PLEASE NOTE: This show deals with mature subject matter, including war, rape, and prostitution. It is recommended for mature audiences only.Intiman's Ticket Office opens at noon. Call them at 206-269-1900 to check availability. They're happy to help!

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