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Outstanding!

Wow wow wow. Last night was awesome. Last night the Seattle theatre community got all dressed up and celebrated itself at the Gregory Awards(they're kind of like our very own local Tony Awards). It's always a fun, heartwarming event, but last night was especially special for us because last night included the first ever presentation of the Gregory Award for Outstanding Teen Critic, recognizing an outstanding contribution to local theatre criticism by a member of the TeenTix Press Corps! And the recipient of the (first ever) TPS Gregory Award for Outstanding Teen Critic is... Reanne Wong, for her review of Hedda Gabler at Intiman Theatre Festival

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Real real life

Review of No Look Pass at Seattle Lesbian & Gay Film Festival by Sam H-A.A senior at Harvard, Emily Tay is the only women's backetball player at her school. She's trying to make it in the big leagues and make her immigrant family proud, all while keeping a secret. No Look Pass is a real documentary in which you feel so close to Emily, it brings tears to your eyes.Living with her best friend, but about to graduate, she faces everything from championship games to fights with her best friend to the crazy college dating life. After getting to know her personally, you start learning slowly about what her life is like. Not only is she a first generation American, but she's also a hard worker who has to train women in another language, in another country, on work ethic and the basics of women's basketball.This powerful documentary makes you laugh, cry, and everything in between. The Seattle Lesbian & Gay Film Festival runs through this Sunday, October 21.Recommended films for this weekend include:THE DANCE OF TWO LEFT FEETTonight, Friday, 10/19 at 7:30 at Central Cinema more info hereRecommended for ages 16+The screening of the short films from the Reel Queer Youth program: MAKE YOUR OWN MONTAGE, PARANOIA, and SPACE IS A LONELY PLACE, followed by a Q&A with filmmakers. The program also includes the eye-opening and inspiring short film POSITIVE YOUTH. Tomorrow, Saturday 10/20 at 1:00 PM at Pacific PlaceMore info here

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Why Do We Need An Award For Outstanding Teen Critic?

Hello, Holly Arsenault here. I am one of the people who run the TeenTix program. In case you haven't heard, this year's Theatre Puget Sound Gregory Awards will include a new category: Outstanding Teen Critic. The nominees for this year's award were all drawn from this very blog--they are members of our Teen Press Corps who wrote theatre reviews during this year's eligibility period. On TPS's facebook page recently, a theatre colleague raised some perfectly valid questions about the necessity for the award, and I found that my answer was getting a little too long for a facebook comment, so I thought I would share it here (in hopes, also, that some of the readers of this blog will chime in with your opinions.) So, Gerald's comment was this: "Not really sure I understand this one. Why? I understand getting teens involved in theatre, but do the Gregorys really need to have an award for Teen Critics? Just how many teen critics are out there? Should we have an award for regular critics? It seems that the Gregorys are still low on a number of categories for theatre awards. Couldn't the time and energy be spent to get another award to deserving theatre artists?" Here's my answer: Gerald, I appreciate your question, and I think I can help with some part of the answer. First, there are lots of teen critics. The TeenTix Press Corps has about 100 or so members. Since we started the TeenTix blog in 2006, they've written over 300 reviews of local arts events. Next year, this awards will be opened up to young people writing arts criticism for their school papers, as well. Arts writing is featured in almost every school paper in our region, so that represents a lot of young writers. I was thrilled when TPS approached me about finding a way to include teenagers in the Gregory Awards, and I think that choosing to bring attention to the great contributions that young writers, including those who write for this blog, are making to our local discourse about the arts, is a great way to do it. Why? Because if we are serious as a community about welcoming young people into our audiences, we must also welcome their voices into the critical conversation about our work. Why recognize teen critics and not adult ones? Because it sends a crucial message to young people that their voices matter to us. I don't work for TPS and I can't speak to what motivated this award, but I don't think it's an award just for awards' sake. I think it's a little piece of activism--a contribution to the effort to dismantle the barriers that keep young audiences out of our theatres. One of those barriers--perhaps the most significant one--is the pervasive belief on the part of young people that our art form is not for them. (They're not totally wrong about that, by the way. Most theatre is not programmed with younger audiences in mind. But that's a subject for a different post.) The offspring of that conviction is the sense that their opinions are worthless--that they are not entitled to any opinions about the work that they are seeing. And who wants to engage with work that you're not allowed to have an opinion on? Nobody.

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The Bolt That Jolts

Review of Struck By Lightning at Seattle Lesbian & Gay Film Festival by Amy Olsen

ALERT: THIS REVIEW CONTAINS SPOILERS. CONTINUE AT YOUR OWN RISK.

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Have Your Fun and Substance, Too

Review of Pullman Porter Blues at Seattle Repertory Theatre by Anika M.Photo by Chris BennionI’ll just come right out and say it: go see Pullman Porter Blues. This show manages to be refreshing and fun with exciting blues music performed by the best I’ve ever seen, while still addressing important issues with the respect and tone required. Pullman Porter Blues opens the Seattle Repertory Theatre’s 50th season; so I was surprised and albeit a little wary that it’s a musical. For those of you who are frequenters of the Rep, you know that musicals aren’t a particularly common show choice, and because of this, I worried that the acting and plot would be overlooked and overshadowed by flashy, empty music numbers taped together by quick, empty dialogue. I was wrong.Pullman Porter Blues follows three generations of Pullman porters and racial oppression. The all-star cast plays and sings blues songs in a way that everyone can appreciate and enjoy, and presents the story and themes with artistry that I have never before experienced in a musical. Every aspect of the show works in sync with the others forming a cohesive experience. Often shows seem to have one sole focus, whether it is the acting, the singing, or the aesthetics; but no part of this show is overlooked and it manages to do something that few shows can achieve: be completely fun and hilarious to watch while still presenting themes and ideas that can be hard to understand and discuss.Photo by Chris BennionThis show, a world premiere, is hard to pass up; you’ll find it to be full of heart, song, and emotion performed by some of theatre’s best. Pullman Porter Blues at the Seattle Repertory Theatre runs until October 28th, so be sure to catch it before it moves on.Pullman Porter BluesThrough October 28Seattle Repertory TheatreMore info at seattlerep.orgNOTE: Contains brief mature content

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Awards are Fun!

We are super excited to announce that this year's Theatre Puget Sound Gregory Awards (sort of like our own, local Tony Awards) will feature a brand new category: Outstanding Teen Critic! The award will recognize an outstanding contribution to local theatre criticism by a member of the TeenTix Press Corps. That's right! The folks who write for this very blog have been nominated for a big, fancy award. How about that?The four nominees for this year's award are:Callan Carow, for her review of An Ideal Husband at TaprootChelsea Dole, who was nominated for two separate reviews, Pitmen Painters at ACT Theatre, and Or, at Seattle Rep.Reanne Wong, for her review of Hedda Gabler at Intiman Theatre Festival andJenny Singer, for her review of Spring Awakening at Balagan Theatre.The submissions were reviewed by a panel of local arts critics: Laura Dannen (Arts Editor for Seattle Met magazine), Leah Baltus (Editor of CityArts magazine), Omar Willey (Editor of The Seattle Star), Brendan Kiley (Theatre Editor for The Stranger), and youth representative Tucker Cholvin, a former TeenTix Press Corps member who is currently a sophomore at Georgetown University. The recipient will be revealed and the award presented at the Gregory Awards ceremony, October 29 at ACT Theatre.Congratulations to our four nominees, and to all the fantastic writers on our Teen Press Corps, keep on doing what you do! You are (honestly) amazing. By the way, if you are interested in joining the TeenTix Press Corps, we'd love to have you. You can get more info on that here.

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It’s in the Hips

Review of The Cocktail Hour: Music of the Mad Men Era at Seattle Symphony by Iman B.Betty and Don enjoy some tunesGuest conductor Steven Reineke's shiny tie and suit set the tone for Seattle Symphony's "Mad Men era" show that took every listener back to the high-class parties of the 1950s and 1960s. The performance was filled with bossa nova tunes that were lighthearted and fun.The baby-faced guest performing group Vocalpoint! added youth to a set list that was visiting the past. While guest performer Hugh Panaro was almost all you could ask for in a male singing the era's music, his voice lacked the tenderness that is often found in the pieces that the likes of Tony Bennett and Frank Sinatra made famous.Broadway star Hugh Panaro is almost all you could ask forBy far, the highlight of the night was the high energy performance of the Symphony and not its guest singers. Entertainingly, the orchestra's liveliness could be traced back to its conductor, Reineke, who at times conducted more with his hip movements rather than with his baton.Conductor Steven Reineke swings his hipsHowever, the concert did not remain stuck with its TV show-inspired 50s theme, because concert-goers were brought back to recent times by the Symphony's performance of Amy Winehouse's You Know I'm No Good. All in all, this fun pops concert was one that everyone and anyone could thoroughly enjoy. And if you didn't catch this concert make sure you catch the next pops line up the Symphony puts together, because as Hugh Panaro sung, you'll be "Feeling Good" by the end of the concert. The Cocktail Hour is over, but you might be interested in Sonic Evolution, brand new symphonic compositions inspired by Alice in Chains, Blue Scholars and Yes. Friday, October 26 at 8:00 PMMore info at seattlesymphony.org

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TeenTix Night at Final Fantasy: The Improvised Adventures

Knights! Wizards! Thieves! Scholars! You are invited! On Friday, September 14th, you and your friends are invited to take over Unexpected Productions' Market Theatre for TeenTix night at Final Fantasy: The Improvised Adventures. Come hang out at a sweet pre-show party just for TeenTix members with cupcakes, a costume contest, and a quick improv workshop (Be brave! Or just watch!) and then see the show FOR. FREE. Yep, that's right. It's free. Free cupcakes, free awesome party, free show. Free free free. Because we love you and so does Unexpected Productions. (Oh no, love triangle. AWK-WARD.)For over 20 years, Final Fantasy has ruled the video game world with some of the most epic storytelling in the medium. Now the improvisers at Unexpected Productions will apply their sword-like wit to a hilarious tribute to the series. Using only suggestions from the audience and their own imaginations, the actors will band together in a completely improvised tale of swords and sorcery that will culminate in an epic struggle for the fate of the world.Okay, so, what?TEENTIX NIGHT AT FINAL FANTASY: THE IMPROVISED ADVENTURESWHEN? Friday, September 14th, 2012WHAT TIME? 7:30 - PRE-SHOW COSTUME PARTY WITH CUPCAKES! AND AN IMPROV DEMO! 8:30 - FINAL FANTASY: THE IMPROVISED ADVENTURESWHERE? Unexpected Productions' Market Theatre, 1428 Post Alley in the Pike Place MarketHOW MUCH? Free for TeenTix members, $5 for guestsWHAT ELSE? To get your free ticket, you must RSVP to teentix@seattle.govby 5:00 PM on Wednesday, September 12. A limited number of free tickets are available. RSVP NOW why don't you? Limit 1 free ticket + 1 guest ticket ($5) per Teen Tix member. Guest tickets may be used by adults or teens. Remember to tell us how many tickets you are reserving in your email. A NOTE ABOUT CONTENT: While Unexpected Productions always strives to present material that is generally appropriate for teen and adult audience, due to the unpredictable and audience participatory nature of improvisation, it is impossible to guarantee content. Please also note that, although the pre-show party is TeenTix exclusive, general audience will be present during the show.

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Intiman’s R&J Review: Non Theatre-Nerd Edition!

Review of Romeo & Juliet at Intiman Theatre Festival by Abigail A.Friar Lawrence (Allen Fitzpatrick) and Romeo (Quinn Franzen)Photo by Chris BennionI’m going to try the best that I can to tell you about the Romeo and Juliet play at the Intiman Theatre from a non theatre-literate perspective. Okay, let’s go. Number one: don’t believe your friend who told you that it would be boring; in fact it will be very entertaining. When you go to this play (which you will because my amazing review will persuade you), you will laugh at jokes that you originally did not even think would make you chuckle. This is not only because of the great chemistry between the actors in this play, but also because of the way it’s presented. When Romeo (played by Quinn Franzen) pronounces his love to Juliet during the famous balcony scene, Franzen is running up and down the stairs in the theater and interacting with the audience. It is truly amazing.Second, Shakespearean language is not that hard to understand. If you paid attention in class for about an hour you probably won’t have much trouble interpreting it into "easier" vocabulary. Even if you are in the unfortunate situation where you have no idea who Shakespeare is, you’ll understand what is being said, just be prepared for an ancient type of speech. Juliet (Fawn Ledesma) and the Nurse (Marya Sea Kaminski)Photo by Chris BennionNumber three, this interpretation of Romeo and Juliet is not dated; it gives a fresh approach to a classic tale. The music being played in the background gives me a sort of Michael Jackson Thriller vibe, especially during the party scene at Mr. Capulet’s house. The costumes are interesting, I was intrigued by the color differences for each household (Capulets and the Montagues). The set alone tells a story, with pictures of dead family members, showing the bloodshed on both sides. Did I mention Mercutio’s wit and charm, (and interesting leggings, I suspect Urban Outfitters)? If I can do it, you certainly can. Go see Romeo and Juliet at the Intiman Theatre this summer and see the classic love story.Romeo & JulietIntiman Theatre FestivalThrough August 26More info at intiman.orgAges 13+

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Teeny Awards: The Results!

Every year, Teen Tix members (that's YOU!) vote for their favorite Seattle area arts and arts organizations, and then we (that's US!) deliver those awards to the winners. Last year, we had a cheer squad, the year before that, it was singing telegrams. This year, we did a big fat art project with messages in bottles and t-shirts silkscreened by the Teen Tix Steering Committee at The Vera Project, and stuck 'em in the mail. It was super fun to see word of the awards spreading via facebook and twitter. Everybody loves getting mail! Here's a video of the whole project, start to finish:And here is a list of the winners of the 2012 Teeny Awards. Thank you a million times to all of our wonderful participating organizations, to our fantastic Teen Steering Committee for orchestrating this whole bonanza (Want to be a part of next year's Teenies? Join the Steering Committee!), to the Vera Project and our awesome silkscreening teacher Miah, and to the good men and women of the U.S. Postal Service for delivering the awards safely to their recipients.BEST DANCE PERFORMANCEWINNER: Love Stories at Pacific Northwest BalletFIRST RUNNER UP: Apollo & Carmina at Pacific Northwest BalletSECOND RUNNER UP: Petrushka at Spectrum Dance TheatreBEST ART EXHIBITWINNER: The Talent Show at Henry Art GalleryFIRST RUNNER UP: Nirvana: Bringing Punk to the Masses at EMP MuseumSECOND RUNNER UP: Gauguin and Polynesia at Seattle Art MuseumBEST PLAYWINNER: A Midsummer Night's Dream at Seattle Shakespeare CompanyFIRST RUNNER UP: Rosencrantz & Guildenstern Are Dead at Seattle Public TheaterSECOND RUNNER UP: Dog Sees God: Confessions of a Teenage Blockhead at Young Americans' Theatre CompanyBEST MUSICAL OR OPERAWINNER: Spring Awakening at Balagan TheatreFIRST RUNNER UP: First Date at ACT TheatreSECOND RUNNER UP: Carmen at Seattle OperaBEST FILM EVENTWINNER: Princess Bride Quote-Along at SIFF CinemaFIRST RUNNER UP: (1) Month of Joseph Gordon-Levitt at SIFF CinemaSECOND RUNNER UP: NFFTY (The National Film Festival for Talented Youth)BEST MUSIC EVENTWINNER: Sound Off! 2012 at EMP MuseumFIRST RUNNER UP: Handel's Messiah at Seattle SymphonySECOND RUNNER UP: Come Together: The Music of the Beatles, Seattle Men's ChorusBEST OTHER EVENTWINNER: Laser Gaga at Pacific Science Center's Laser DomeFIRST RUNNER UP: 50 Hour Improvathon at Unexpected ProductionsSECOND RUNNER UP: Khaled Hosseini at Seattle Arts & LecturesWEIRD OF THE YEARWINNER: Milk, Milk, Lemonade at Washington Ensemble TheatreFIRST RUNNER UP: I Am My Own Wife at Seattle Repertory TheatreSECOND RUNNER UP: Miss Representation at SIFFFAVORITE ORGANIZATION (LARGE)WINNER: Seattle SymphonyFIRST RUNNER UP: Pacific Northwest BalletSECOND RUNNER UP: EMP MuseumFAVORITE ORGANIZATION (MEDIUM)WINNER: Book-It Repertory TheatreFIRST RUNNER UP: Seattle Shakespeare CompanySECOND RUNNER UP: Taproot Theatre CompanyFAVORITE ORGANIZATION (SMALL)WINNER: Seattle Musical TheatreFIRST RUNNER UP: Young Americans' Theatre CompanySECOND RUNNER UP: NFFTY (The National Film Festival for Talented Youth)BEST SEATS IN THE HOUSEAwarded to the participating organization that offers Teen Tix members the best seat locationsWINNER: Pacific Northwest BalletFIRST RUNNER UP: Seattle SymphonySECOND RUNNER UP: Seattle Public TheaterBEST BOX OFFICE EXPERIENCEAwarded to the participating organization that provides the smoothest, most welcoming box office experience for Teen Tix membersWINNER: Seattle Public TheaterFIRST RUNNER UP: Pacific Northwest BalletSECOND RUNNER UP: ACT TheatreCOOLEST SPACEWINNER: EMP MuseumFIRST RUNNER UP: Henry Art GallerySECOND RUNNER UP: ACT TheatreCOOLEST AUDIENCEAwarded to the participating organization where the established audience makes Teen Tix members feel the most welcomeWINNER: Seattle Art MuseumFIRST RUNNER UP: Seattle Public TheaterSECOND RUNNER UP: Seattle Shakespeare CompanyCOOLEST VENUE YOU SHOULD GO TO MOREWINNER: Cornish College of the ArtsFIRST RUNNER UP: Young Americans' Theatre CompanySECOND RUNNER UP: UW School of DramaBEST NIGHT OUT ON A DATEWINNER: Young Americans' Theatre CompanyFIRST RUNNER UP: Pacific Northwest BalletSECOND RUNNER UP: SIFFBEST NIGHT OUT WITH A GROUPWINNER: Pacific Science Center's IMAX & Laser DomeFIRST RUNNER UP: EMP MuseumSECOND RUNNER UP: Young Americans' Theatre CompanyBEST MUSIC ORGANIZATIONWINNER: Seattle SymphonyFIRST RUNNER UP: EMP MuseumSECOND RUNNER UP: Seattle OperaBEST DANCE ORGANIZATIONWINNER: Pacific Northwest BalletFIRST RUNNER UP: Spectrum Dance TheatreSECOND RUNNER UP: On the BoardsBEST MUSEUM OR ART GALLERYWINNER: Seattle Art MuseumFIRST RUNNER UP: EMP MuseumSECOND RUNNER UP: Henry Art GalleryBEST THEATERWINNER: ACT TheatreFIRST RUNNER UP: Seattle Public TheaterSECOND RUNNER UP: Seattle Repertory TheatreBEST FILM ORGANIZATIONWINNER: SIFFFIRST RUNNER UP: Pacific Science Center's IMAX & Laser DomeSECOND RUNNER UP: NFFTY (The National Film Festival for Talented Youth)BEST UNCATEGORIZABLE ORGANIZATIONWINNER: Seattle Arts & LecturesFIRST RUNNER UP: Langton Hughes Performing Arts CenterSECOND RUNNER UP: Central District Forum for Arts & IdeasBEST SELLING SHOW OF 2011 - 2012WINNER: Don Quixote at Pacific Northwest Ballet

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We Win!

Thank you, Seattle Weekly, for naming Teen Tix Seattle's Best Cheap Thrill! "Have you been to the theater lately? No? Could that be because it's so darn expensive? The savvy among you know that most theaters offer rush tickets that'll cut your price in half. But if you're a teenager—or know a teenager—an even better deal is at your disposal. The Seattle Center runs something called Teen Tix. A teen signs up, gets a pass, and uses it to buy $5 tickets at an incredible array of arts institutions in town, among them most theaters, the Seattle Art Museum, Seattle Opera, Pacific Northwest Ballet, EMP, and Pacific Science Center. When you consider that most theater and opera tickets are at least $40–$50, you'll know what a screaming deal this is. Better yet, on Sundays, teens get to take someone else–of any age—for $5 as well."

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Mercutio and the Nurse

Review of Romeo and Juliet at Intiman Theatre Festival by Olivia O.Photo by Chris BennionWhether you’ve seen it, been in it, read it in school, or maybe just watched Shakespeare in Love, you definitely know the story of Romeo and Juliet, those two star-crossed lovers that break through yonder window with a rose that would by any other name smell as sweet. Or something like that.So the question is, how do you reinvent the story that everybody knows? It seems like every production I’ve seen tries to focus on the divides: old and young, love and hate, Capulet and Montague. But instead of focusing on the divisions, this production creatively chooses to emphasize the one thing that is the same for both families: the deaths of loved ones that result from the feud. This theme is woven throughout all of the show, especially in the costumes and set. Keep an eye out for what happens as the body count rises– it’s fascinating.The actors match the creativity of this interpretation, speaking the language that we’ve heard a million times in a way that sounds new. I’m proposing that we rename the show Mercutio and the Nurse; Michael Place (Mercutio) and Marya Sea Kaminski (Nurse) steal every scene they’re in. Another standout is Shawn Law, who plays both Tybalt and Paris but is unrecognizable as being the same actor. In general, the supporting cast members outshine the leads, but the world-famous balcony scene is incredibly sweet and personal, with Romeo going into the audience and confiding his new love to us.The show is long – nearly two and a half hours including the intermission – but the time flies by. The story and characters are so well known, but true to the theme of Intiman’s theatre festival (“don’t get too comfortable”), the familiar takes off in unexpected and imaginative ways. If you think you know Romeo and Juliet, give this production a try. You just might discover that the most famous love story of all time still has more to say.Romeo and JulietIntiman Theatre FestivalThrough August 26More info at intiman.orgPlease note that Romeo & Juliet is running in repertory with the three other plays in Intiman's summer festival, which means that not every show plays every night. Please check the schedule before you go.Teen Tix tickets are available day-of-show only and in-person only, starting when the box office opens 1 hour prior to showtime. As always, availability of Teen Tix tickets is not guaranteed, as some shows may sell out before the day-of. Best chances for seats are weeknights and Sundays.

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A Little Bit Country

Review of Dirty Story at Intiman Theatre Festival by Olivia M.Photo by Chris BennionWatching Dirty Story is like listening to country music. It’s easy to fall deeply into the philosophical crooning, the idealist love themes and even the bittersweet turn into the second act, but take a step out into intermission or just out of the moments that the actors suck you into, and it feels a little forced. The actors and lone actress really deserve the bulk of the credit. The chemistry between Brutus and Wanda, played by Shawn Law and Carol Roscoe, respectively, is captivating, but at times drags on. Playwright John Patrick Shanley conveys a message of the power of love, hate, belonging, and territorial needs and director Valerie Curtis-Newton uses the space in Intiman's new, teeny tiny Studio Theatre really well to explore and communicate those themes. Another major theme is the idea of “non-fiction” and how audiences don’t want to hear about fiction anymore. It’s a puzzling idea even having seen the play, as if Shanley was so consumed with the idea that it’s hard to convey the gravity of his philosophies. That stage is the most redeeming factor. It forces the actors into the audience’s space, which is manipulated at different climaxes to make us want the closeness, or feel a need for separation. It is especially powerful in the one scene that gives this play its “R” rating, which I won’t give away except for the details that are especially creepy. Power tools, spotlights, and a ball gag are all be present for a compelling, yet extremely uncomfortable scene. The final connection to country music is an adorable one, as Quinn Franzen plays a slightly pudgy, cowboy cutie with an acceptable accent named Frank. Frank and his sidekick, Lawrence (Allen Fitzpatrick), take us to the softer side of the emotions expressed in the first act, with a confusing connection to the trials of Wanda and Brutus’ deteriorating relationship. They bring us to an unsatisfying ending, with a plug about the ongoing festival, but it isn’t enough for a bad recommendation. This is a talented group of actors in a new, intimate performance space, with a limited run. It’s definitely something to take part in, if only to be a part of the exuberance of the Intiman Theatre Festival, going until late August. Reward the actors for their hard work, and be thoroughly entertained. Dirty StoryIntiman Theatre FestivalThrough August 25Recommended for ages 17+More info at intiman.orgPlease note that Dirty Story is running in repertory with three other shows in Intiman's summer festival, which means that not every show plays every night. Please check the schedule before you go.Teen Tix tickets are available day-of-show only and in-person only, starting when the box office opens 1 hour prior to showtime. As always, availability of Teen Tix tickets is not guaranteed, as some shows may sell out before the day-of. Best chances for seats are weeknights and Sundays.

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